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>>> The Demand of Visibility within Knowledge Production > > > |
short overview >> seeing things/ knowledge produktion >> PCM/ 'Visibility is a trap' >> Latour - Pasteur/ the scientific image >> Abstraction/ the paradox status of the visual abstract >> Conclusion/ outlining along two strings ---------------- >> Print entire text (4 pages) pdf or .rtf ---------------- >> movies (select the format) 1. interpreting news > mov > wmv 2. interpreted images > mov > wmv 3. nightsight 2nd. > mov > wmv |
Seeing things: Today in western societies the creation of knowledge/ information is dominated by the logic belonging to a predominantly scientific view onto the world. In regards of the research of M.Foucault, which showed that relations of knowledge definitely are involved in relations of power, its all over impact on social constitution is evident. ‘The carceral network constituted one of the armatures of this network of power-knowledge that has made the human sciences historically possible’[2]. Nevertheless information is regarded as a social good, ignoring the awareness that the utopian desire to be ‘in the known’ never can be fulfilled. In my analysis I will try to reveal a self-constituting and self-referential setting of scientific vision, which can be implied in a paranoid formation, so to be seen at the example of Latour’s research. This construction in turn evolves structures defining the parameters of in/visibility within the social. J.D.Faubion even suggests a phenomenological proximity of the social and paranoid experience, which defines itself a social and not merely a psychological phenomenon. So the conclusion is that the two modalities of experience always implicate also the other like presence does absence or visibility/invisibility. This framework of a more or less paradoxical setup, allows the concept of the 'seen' to operate as if self-constituted, though its interpretation remains strictly based from within this system of scientific and technological developments, which are evolving from a specific social context. Assuming knowledge/information production today mainly as related to 'making things visible', it equally has to be associated to the instruments developed and used for that process – especially, (but not only) in the field of scientific imaginary. Image production educing from seeing, now interpreted as a form of confusion/fusion of eye and sensual devices, indicates a switch from vision to visualisation. This development evolves further uncertainties through the usage of remote seeing devices especially in connection with the digital transformation into a coded form, which has to be de and re/coded again to be ‘readable’.[1] Essays on Self-reference, Luhmann N., p.16/17 |
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> > > for the conference 'seeing things' at the University of Western Ontario, Canada; May 2nd - 4th/2003 |