UPDATE 20.Nov: See here for a review in the Guardian. A.I.M.’s piece Pavement is a gem, a real ‘must see’, in interdisciplinary choreography. While I was visiting with little more pre-information than that I liked the posters of street dance I was surprised by the layering of it with classical elements. The dance clearly starts […]Read More
UPDATE 04/2017: In an interesting essay Mckenzie Wark examines the work of Randy Martin mainly focusing on Martin’s Knowledge LTD: Towards a Social Logic of the Derivative (2015). Wark shows how Martin’s reading of postmodern dance and his understanding of social kinesthetics illuminate our current political-economic situation better than traditional commodity-based Marxist theories, as pointed […]Read More
Currently the Britain located DV8 Physical Theater is on tour with their latest piece ‘Can we talk about this?’. It is a dance piece, which builds heavily on the actual theme of Islamophobia with specific accentuation on the British situation and thus luckily also recruits its dancers from a multicultural background. For me personally this […]Read More
In the context of the ‘Border Border Express‘ event at the HAU in Berlin I was so lucky to see two fantastic pieces by Nelisiwe Xaba with 2 pieces: They look at me and that’s all they think & Sarkozy Says ‘Non’ To The Venus Both pieces refer to the story of Sara Baartman, known […]Read More
This will be a short post … and may be a bit late in time, as it has been written in a certain perspective after bin Laden’s death – though it’s a real nice find and finally actual at all times in so many places, not just America …. There are generally so often reasons […]Read More
.. a fascinating story comes to one very visible result, where the reconstruction of a former site was an important factor of participation: Cinema Jenin, one of Palestine’s largest and most impressive movie houses, is re-opening today thanks to international support after remaining closed for more than 20 years since the first Intafada in 1987. […]Read More
Short, but stunning city portrait: ‘MANHATTA’ A portrait of New York by painter Charles Sheeler and photographer Paul Strand. The title cards show quotes from Walt Whitman’s “Leaves of Grass”. Wikipedia “The film spans an imaginary day in the life of New York City, beginning with footage of Staten Island ferry commuters and culminating with […]Read More
There is a pretty good article and mainly link-collection over on we-make-money – generally a very interesting blog – about facts and impact of walling. The article centers around the ‘Desiring Walls’ lecture by Wendy Brown (audio file on resistnetwork), which analysis the globally evolving phenomenon for walling. Regine from we-make-money has carefully collected the […]Read More
Hm …. there is hope for a change after Obama’s recent speech which the german magazine ‘Der Spiegel’ announced as A ‘NEW BEGINNING’ IN CAIRO, but certainly it won’t work without looking into one’s own preconceptions. While in NYC the NYPL & The European Union National Institutes for Culture (EUNIC) present “ISLAM IN EUROPE – […]Read More
Relating to my own experience I am always interested into projects, which attempt to make use of new media techniques for their realization. To establish a blog aside a current undertaking meanwhile almost became a common habit. Thus not so many of these projects really managed to make appropriate use of the tools they occupied […]Read More
Even though the festival african screens – new cinemas from africa at the House of World Cultures (HKW Berlin) started already last week I want to point towards it as a very good opportunity to get a sense of the african cinemas. So far I only have been able to visit two events, thus there […]Read More
The House of World Cultures Exhibition In the Desert of Modernity. Colonial Planning and After examines the colonial fantasies of the West(/Europe) using the north-african city Casablanca as an experimental playground of modernistic ideas and the consequent impact of this enforced transformations. From the 1930s on, colonial North Africa was transformed into a laboratory for […]Read More
Berlin’s Tanas Gallery (Gallery for Contemporary Turkish Art) shows currently the prize-winning 2004 work “Küba” of Kutlug Ataman. The installation of 40 interviews on old-fashioned TV models, each supplied with an individual 2 second hand chair, creates a chorus of voices each telling their own story. In front of the monitor one is solely confronted […]Read More