UPDATE 20.Nov: See here for a review in the Guardian. A.I.M.’s piece Pavement is a gem, a real ‘must see’, in interdisciplinary choreography. While I was visiting with little more pre-information than that I liked the posters of street dance I was surprised by the layering of it with classical elements. The dance clearly starts […]Read More
HAU 2, 3.12.2016 A composition of pieces and elements could also be described what Ian Kaler presents as the third part of the o.T. series, this time subtitled (incipient futures). Though in this case, rather than fostering the sensation of a linear development the parts appear interwoven, and brought to life based on a complex […]Read More
Concepted by Jeremy Wade DrawnOnward is a collaboration with the choreographer Juli Reinartz, musician and co-performer Marc Lohr, writer John-Erik Jordan, costume designer Grzegorz Matlag and dramaturge Maximilian Haas. Or according to the acceleration from the leaflet: DrawnOnward is a possibility engine, an everything you need kind of machine. Drawn- Onward is a process of […]Read More
“Keep It Real is shameless and straightforwardly queer. A post-feminist influenza, highly contagious that can cause enjoyment. The protagonist cyborg-bitches tease the thin border between fiction and reality, and their bitch magic goes overboard contaminating everything around them. Zombies and cyborgs seem utterly human and these queer bodies possess dangerous political possibilities, but what is […]Read More
CocoonDance ‘Pieces of Me’ dissolves the fixed stage as well as linear narration. Concepts like these certainly attract my attention, nevertheless I am also aware that such an experiment might not necessarily lead to an immersing experience of now here, but eventually a no where situation. In the case of this piece it is hard […]Read More
The titel Tauberbach of one of the latest pieces of Les Ballets C de la B and Alain Platel, if translatable at all might be read as deafbach, which includes this misspelling of putting two words (deaf +Bach) together, which usually are not written that way. Tauberbach refers to the work of the polish artist […]Read More
Currently the Britain located DV8 Physical Theater is on tour with their latest piece ‘Can we talk about this?’. It is a dance piece, which builds heavily on the actual theme of Islamophobia with specific accentuation on the British situation and thus luckily also recruits its dancers from a multicultural background. For me personally this […]Read More
Japan on the mind with all the horrifying news on earth quakes, tsunami and the nuclear disaster dropping in continuously – should one read the title as a promising outlook? ‘Future Beauty – 30 years of Japanese fashion’, the latest show at the Munich Haus der Kunst arrived via the Barbican in London at least […]Read More
‘The Offside Rules‘ is the last production form the dancegroup around Constanza Macras, which was commissioned by the Goethe Institut for the 2010 football World Cup. In this coproduction of the Goethe-Institut South Africa, the Market Theatre, Johannesburg, and Constanza Macras/Dorky Park, three performers from Macras’ company teamed up with dancers from Johannesburg, who were […]Read More
Spoken language and body language, both mix in an exquisite way in the latest piece of Sidi Larbi Cherkaoui en Damien Jalet – BABEL (words). The piece fascinatingly shows a wide variety of expressions including aggression, humor, an almost slapstick-like behavior and a deep sensuality for the forms and languages of the body, – and […]Read More
.. as I might be able to attend …. or at least consequent pieces …. Xavier Le Roy – Self Unfinished (1998) .. will be able to see ‘Babel’ in December though this looks amazing …. .. and just something I would loved to have seen ..Read More
I know, I should have been writing more with all the dancing on my mind from the stimulating Tanz im August event, and I hope I will get to it the next days. Though first I want to focus on the quite moving event with Robert Wilson’s hommage (german audio on demand link) to the […]Read More
.. but may be I’ll take two – hope you don’t mind …. …. that at least is the impression I got, when I finally had the chance to see Avi Mograbi’s documentary Z32. Nevertheless by the filmmaker’s doubts, which have been mixed into the film as questioning songs, it all together might – regarding […]Read More